"This Plane Is Definitely Crashing! Four Poorly Drawn Picture Stories" is a 16-page narrative comics zine from 2003 featuring four short comics by artist and author Paul Hammond. The first of the four stories is based around is more of a one-way conversation with the reader about a habit often experienced by folks who identify as neurodivergent, while the remaining three short stories are a recounting of personal / real-life events in the form of anecdotal comics.

The entire zine is made up of short summaries of letters written about the author's past partners and/or hook-ups from 1997 to 2003. All of the pages only have text on one side.

What Better Time Than Now? ... notes on consciousness and unity in US cities and prisons is a 2011 zine gathering information from several sources (all of which are cited on the back cover) that is communicated in the form of a sixteen page article. It touches on prison activism, colonization, anarchism, class consciousness, and unity.

A resource for various types of activists and legal aid circa 2004 to 2006 made with help from the Dalhousie Law Student's Society.

A comic book adapting the real life accounts, journal entries, and court confessions of Nat Turner, an African citizen kidnapped and enslaved during the American slave trade during the early 1800's. Nat Turner would later become the leader of an insurrection in Southampton, Virginia. The entire comic is presented from start to finish with no spoken dialogue, with the story presented entirely through visual media.

The only text contained beyond the synopsis (which itself appears to have been scanned from a real life court document) on the reverse side of the front cover, the advertisements for proceeding books in the series on the final page, and the copyright information are excerpts from journal entries on pages 26 and 47, placed below, and to the left of the art panels depicted therein respectively.

A half-page colour zine detailing the perspectives, struggles, triumphs, and stories of various groups of anarchists, indigenous people of Turtle Island (specifically the occupied lands classed as "Canada") and how their struggles are interconnected. These stories come from all over "Canada", with a particular focus on articles from the west coast, and "Quebec". The zine, though compiled and released in 2016, is comprised of various blog posts and editorials from as far back as 2003, compiling over a decade and a half of indigenous stories, anarchist stories, their mutual struggles, and constructively addressing fundamental differences in their mindsets towards societal structuring, reconciliation and land back movements.

To Change Everything: An Anarchist Appeal

A 2021 zine promoting anarchist views.

The full contents of this zine are available to view online in multiple formats and in 34 different languages with supporting resources and ordering options at tochangeeverything.com

Dear Reader,

In this third issue of I Don't Do Boxes: Act Out, we're speaking out about all the things we were told we couldn't say and we're armed with all things we were told wasn't meant for us. Our editorial team sent out a call for submissions for queer creatives to send us poems, essays, stories, and art surrounding the theme of acting out.

We all struggle with taking action - whether it's getting out of bed, writing our scolarship essays, correcting pronouns, or saying what we really think. And as queer people in the south, we're constantly on the brink of choosing between action and safety, between justice and survival.

And no matter if you're acting out of rage, love, or fear, it can be terrifying. But actions don't have to be grand to matter. Acting out doesn't just mean protesting in the street- it's any way that you use the power that you have. It's building your own community where there is none. It's rewriting histories to include people who've always been left out. It's creating art. It's letting yourself be loved for who you are when you've always believed you're wrong. It's resistance. It's allowing yourself to exist, unfiltered, with or without boxes.

We hope that the varying perspectives in this issue will help our readers continue to explore ways of acting out. You already have the power - it's just how you decide to use it.

Finally, a note on survival: it's okay if the person you need to fight for most is yourself. If you need permission to reach out, here it is. Exhaust every resource to keep yourself from burning. As your battle dies down, breathe and pull another from the open flame.

Collect others. Heal together. Survival is the greatest act. The rest is an encore.

"It is our duty to fight for our freed.
It is our duty to win.
We must love and protect each other.
We have nothing to lose but our chains."
- Assata Shakur.

Sincerely,
The I Don't Do Boxes Team